«From rhythm, stress and exertion to small sonorous pauses», writes Dimitri de Perrot in the announcement of his latest work «Unless». What a wonderful promise! At the busy entrance area to the Landiwiese he invites us into a «space in between», an oasis in the here and now. The sound experimenter, musician and director knows how to play the keyboard of our fantasy with sounds of all sorts, to direct our perception towards the present and ordinary and to sharpen our senses for the poetry of the normal. He has devised «Unless» as an installation for highly frequented public spaces such as foyers and waiting halls. In these in-between spaces of constant coming and going, his sound oasis offers an unusual artistic counterpoint prompting us to pause, sit down and listen closely. (esc)
Konzept, Musik, Bühnenbild & künstlerische Leitung | Dimitri de Perrot |
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Technischer Support Bühnenbild | Patrick Hari |
Zusätzliche Musik | David Bircher, Peter Bräker, Marco Delgado, Michel Flury, Nadine Fuchs, Vera Kappeler, Julian Sartorius, Fred Ulysse |
Sounddesign | Peter Färber, Max Molling |
Lichtdesign & Elektronik | Jay Schütz, Pablo Weber |
Konstruktion | Dick Ko Art Production |
Konstruktionsassistenz | Leo Hoffmann |
Produktionsleitung Hongkong | Jacob Wo, Martin Leung |
Produktionsleitung Schweiz | Studio DdP |
Technische Leitung | Pablo Weber |
Koproduktion | Hong Kong Arts Centre, Dragonix Multi-Arts Festival, ICST − Institute for Computer Music and Sound Technology und Studio DdP |
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Unterstützung | Stadt Zürich Kultur, Fachstelle Kultur Kanton Zürich, Schweizer Kulturstiftung Pro Helvetia, Stiftung Corymbo, Ernst Göhner Stiftung, Landis & Gyr Stiftung |
Sponsor | Hysan Development Company Limited |
Endproben | Hong Kong Arts Centre |
Premiere | Cultural Masseur − Dragonix Multi-Arts Festival, Hongkong, Juli 2018 |
Foto | Adrian Huber |
Loop of 40 mins
in all weathers
daily as of 16 hrs, Sat/Sun as of 14 hrs