They dance as if there were no world around them. This two-part performance by Boris Charmatz and Emmanuelle Huynh is a tribute to the French choreographer Odile Duboc. Both pieces focus on «boléro 2», from Duboc’s legendary choreography «trois boléros» to the music of Maurice Ravel, which Charmatz and Huynh premièred in 1996. Inspired by the original, «étrangler le temps» is a flowing stream of decelerating movements contrasted by Ravel’s music. Immersed in pure presence, the pas de deux seems like a timeless act of love. (esc)
ÉTRANGLER LE TEMPS Frei inspiriert von «boléro 2», aus «trois boléros» von Odile Duboc und François Michel (1996) | |
Interpretation | Boris Charmatz, Emmanuelle Huynh |
Szenische Einrichtung & Lichtdesign | Yves Godin |
Ton | Olivier Renouf |
Lichtregie | Samuel Dosière |
Inspizienz | Fabrice Le Fur |
Musik | Auszüge aus «Boléro» von Maurice Ravel |
BOLÉRO 2 | |
Konzept | Odile Duboc, Françoise Michel |
Choreografie | Odile Duboc |
Interpretation | Boris Charmatz, Emmanuelle Huynh |
Musik | «Boléro» von Maurice Ravel |
Inspizienz | Fabrice Le Fur |
Lichtregie | Samuel Dosière |
ÉTRANGLER LE TEMPS | |
Produktion | Terrain und Musée de la dance |
Premiere | Musée de la danse, Rennes, 2009 |
Foto | Ursula Kaufmann BOLÉRO 2 |
Koproduktion | Contre Jour − Centre chorégraphique national de Franche-Comte Belfort, La Filature − Scène nationale Mulhouse, Theatre de la Ville-Paris, Centre Jean-Renoir − Scène nationale Dieppe, La Coursive − Scène nationale La Rochelle |
Premiere | Théâtre du Granit, Belfort, 1996 |
1:10 hrs.
Open air and in all weathers